Subscribe to our FREE email newsletter and download free character development worksheets! Chuck Sambuchino October 7, Conflict, as we all know, is the lifeblood of a story. And nothing quite epitomizes raw conflict like a thrilling fight scene. Her novel is an upper YA science fiction story about a young man battling to make it to the top in the world of zero-gravity prizefighting amid brewing interplanetary conflict between Earth and Mars.
Sword fights have been a thrilling part of the cinematic experience ever since the age of silent film.
Earlier this year, we counted down the 15 Best Swordsmen of all time. These scenes vary wildly, ranging from sword fights in medieval fields to outer space and beyond.
But what they all have in common is an inventiveness and originality. Directed by Ridley Scott, the film features a number of captivating and intense sword fights, but the scene above is maybe our favorite.
This sword fight is a wonderful achievement in cinematography. Watch how the camera shakily hovers over the shoulders of the two men, making the audience feel like a third participant in the fight.
These handheld shots are interspersed with static wide shots. Cutting between these two different shots makes us feel off balance and on edge. The fight itself plays like a piece of music. There are long pauses as the duellists plan their next attack, then quick, staccato swipes as the two men try to disarm each other.
But while the plot and dialogue may have suffered in the sequels, the Wachowskis still showed us that they could put together a hell of a fight scene when given the opportunity. Look no further than the insane Chateau fight from The Matrix Reloaded.
The camera soars around Neo as he fends off a seemingly never-ending group of henchmen wielding various antique weaponry. This scene is a clear case of filmmakers having fun playing in their sandbox. There is an infectious, jubilant energy to the whole sequence.
The movement is fluid like a ballet, zipping back and forth between elegant slow motion and kinetic, high speed attacks as Neo fends off the villains with his two swords.
Characters float over the staircase, unrestrained by physics, and we as audience members are left with our mouths agape. The scene is ridiculous in all the best ways.
Sir Guy Watching sword fights from older films is particularly thrilling, because we know that no effects or CGI were used to enhance the excitement. The onus was entirely on the performers to draw us into the battle and make us believe their lives were truly in danger.
Watching something like the sword fight between Robin Hood Errol Flynn and Sir Guy Basil Rathbone feels more akin to watching a stage play than a film. The camera is relatively unobtrusive.
We know that one wrong step or mistake could lead to an actual injury. The artistry involved in these classic sword fights commands our attention and demands our respect. Conan the Barbarian is a classic example of this.
The palace battle pits a ripped Arnold Schwarzenegger against a few equally muscular henchmen and lets havoc ensue. This is a weighty, heavy, lurching battle. Watching a few muscular barbarians smash a palace to rubble is absolutely delightful. In his Pirates of the Caribbean films, Jerry Bruckheimer continually found unusual and inventive locations for the swashbuckling sword clashing to take place in.
The scene, like most of the series, follows a Bugs Bunny-esque logic as Turner and Norrington clash swords atop the spinning wheel while Sparrow gets caught up in the spokes. The Rube Goldbergian chain of events that leads the pirates into this ridiculous set-up is hilarious, and somehow feels authentic, albeit in a cartoon-logic way.
The Crazy 88's Quentin Tarantino has made an entire career out of filtering his favorite cinematic influences through his own subversive lens. Tarantino gleefully adopts all of the violent and outrageous tendencies of early kung fu films and exploits them for his own pleasure.
The Bride fends off dozens of swordsmen in black suits and ties, plucking out eyeballs and esophaguses. Candy-red blood sprays out of disembodied limbs like water from a garden hose. The entire scene is joyously outrageous in its own ridiculousness.
What began as a homage is now easily included in the pantheon of great kung fu sword fight scenes.To me, the five best sword-fights in literature are, in reverse order, the climax of Chrétien de Troyes’ Yvain, any of the duels in Scaramouche, the first fight scene in The Princess Bride, and the first and second duels in Prince Caspian.
There was a really good breakdown of a Jack Reacher fight scene I read a few years ago, which went into GREAT detail. I printed it, but I can't find the website anymore:(Also, don't just . Jun 09, · First, you use "beautiful sword fighting scene", then "brutal combat scenes".
That tells me that you find blood and guts beautiful. The suggestion for dialogue would be for other people's view of beauty, but for brutality, you would want to describe the various wounds, agony, deaths, blood, and . Brian A.
Klems October 16, at am. OK, folks, we’re ending this line of conversation. I agree that the original argument was baseless as you don’t need to be an astronaut to write (successfully) about a main character who is an astronaut, and the same can be said for writing fight scenes.
Feb 22, · Writing believable sword fights While the Wesley vs. Inigo Montoya sword fight in the Princess Bride was hilarious, it was a great example of how to write one that surely no one believes or takes seriously. Am having a bit of trouble writing a good sword fighting scene for my book.
In my case though it is two women, one has a. Aug 24, · How to Write Fight Scenes.
In this Article: Article Summary Preparing to Write the Scene Writing a First Draft Sample Fight Scenes Community Q&A Fight scenes can be tricky territory for writers.
A good fight scene should be action packed and should not slow down the drama of the story as a whole. Keep your fight scenes engaging by making the action hard, fast, and packed with just enough detail%(39).