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Goffman treated it as a kind of report in which he frames out the theatrical performance that applies to face-to-face interactions. At the same time, the person the individual is interacting with is trying to form and obtain information about the individual. This led to Goffman's dramaturgical analysis.
Goffman saw a connection between the kinds of acts that people put on in their daily life and theatrical performances. In social interaction, as in theatrical performance, there is a front region where the performers individuals are on stage in front of the audiences.
This is where the positive aspect of the idea of self and desired impressions are highlighted. There is also a back region, where individuals can prepare for or set aside their role.
Often, performers work together in "teams" and form bonds of collegiality based on their common commitment to the performance they are mutually engaged in.
The core of Goffman's analysis lies in this relationship between performance and life. Unlike other writers who have used this metaphor, Goffman seems to take all Make a presentation online of acting into consideration: According to Goffman, the social actor in many areas of life will take on an already established role, with pre-existing front and props as well as the costume he would wear in front of a specific audience.
The actor's main goal is to keep coherent and adjust to the different settings offered him. This is done mainly through interaction with other actors. To a certain extent this imagery bridges structure and agency enabling each while saying that structure and agency can limit each other.
A major theme that Goffman treats throughout the work is the fundamental importance of having an agreed upon definition of the situation in a given interaction, which serves to give the interaction coherency.
In interactions or performances the involved parties may be audience members and performers simultaneously; the actors usually foster impressions that reflect well upon themselves and encourage the others, by various means, to accept their preferred definition.
Goffman acknowledges that when the accepted definition of the situation has been discredited, some or all of the actors may pretend that nothing has changed, provided that they find this strategy profitable to themselves or wish to keep the peace.
For example, when a person attending a formal dinner — and who is certainly striving to present himself or herself positively — trips, nearby party-goers may pretend not to have seen the fumble; they assist the person in maintaining face.
Goffman avers that this type of artificial, willed, credulity happens on every level of social organizationfrom top to bottom. Since the metaphor of a theatre is the leading theme of the book, the German and consequently also the Czech translation used a fitting summary as the name of the book We All Play-Act German: Wir Alle Spielen Theater, Czech: Another translation, which also builds on the leading theatrical theme, rather than the original title, is the Swedish title of the book Jaget och Maskerna which literally translates The self and the masks - A study of everyday-life drama.
Reception[ edit ] Philosopher Helmut R. Wagner called The Presentation of Self in Everyday Life "by far" Goffman's best book and "a still unsurpassed study of the management of impressions in face-to-face encounters, a form of not uncommon manipulation.
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