The roaring twenties essay conclusion

View Full Essay Words: The opportunities provided by the new century motivate young men and women of the s to dream of success from early ages. This is also the case of Dexter who, working at a local golf course, envisions himself becoming a golf champion.

The roaring twenties essay conclusion

Harding and former head of the Republican National Committee[3] served for 25 years as president of the Motion Picture Producers and Distributors of America MPPDAwhere he "defended the industry from attacks, recited soothing nostrumsand negotiated treaties to cease hostilities.

Industrial Commission of Ohio that free speech did not extend to motion pictures, [9] and while there had been token attempts to clean up the movies before, such as when the studios formed the National Association of the Motion Picture Industry NAMPI inlittle had come of the efforts.

Lorda Jesuit priest, created a code of standards which Hays liked immensely [11]and submitted it to the studios. After some revisions, they agreed to the stipulations of the Code.

The roaring twenties essay conclusion

One of the main motivating factors in adopting the Code was to avoid direct government intervention. Joy, to supervise film production and advise the studios when changes or cuts were required.

The first was a set of "general principles" which mostly concerned morality. The second was a set of "particular applications" which was an exacting list of items that could not be depicted. Some restrictions, such as the ban on homosexuality or the use of specific curse words, were never directly mentioned but were assumed to be understood without clear demarcation.

Miscegenation, the mixing of the races, was forbidden. It stated that the notion of an "adults-only policy" would be a dubious, ineffective strategy that would be difficult to enforce. The Code sought not only to determine what could be portrayed on screen, but also to promote traditional values.

Under some circumstances, politicians, police officers and judges could be villains, as long as it was clear that they were the exception to the rule. James Wingate — were seen as generally ineffective.

Therefore, events such as the Boston Tea Party could not be portrayed. And if clergy were always to be presented positively, then hypocrisy could not be examined either.

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Skirt-lifting was one of many suggestive activities detested by Hays. InThe Hollywood Reporter mocked the code, and Variety followed suit in In the same year as the Variety article, a noted screenwriter stated that "the Hays moral code is not even a joke any more; it's just a memory.

Ohio by instituting a censorship board in Virginia followed suit the next year, [32] and eight individual states had a board by the advent of sound film.

By the s, the New York stage, a frequent source of subsequent screen material, had topless shows; performances were filled with curse words, mature subject matter, and sexually suggestive dialogue.

Allen of Paramount responded by collaborating on a list they called the "Don'ts and Be Carefuls", based on items that were challenged by local censor boards, and which consisted of eleven subjects best avoided, and twenty-six to be handled very carefully.

DeMille was responsible for the increasing discussion of sex in cinema in the s. The economic disaster brought on by the stock market crash of changed American values and beliefs in various ways. Themes of American exceptionalism and traditional concepts of personal achievement, self-reliance, and the overcoming of odds lost great currency.

The Depression profoundly influenced pre-Code Hollywood both financially and artistically. The cynicism, challenging of traditional beliefs, and political controversy of Hollywood films during this period mirrored the attitudes of many of their patrons.

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Scott Fitzgerald commented in Although films experienced an unprecedented level of freedom and dared to portray things that would be kept hidden for several decades, many in America looked upon the stock market crash as a product of the excesses of the previous decade.

Joan Crawford ultimately reforms her ways and is saved; less fortunate is William Bakewellwho continues on the careless path that leads to his ultimate self-destruction. The song was repeated sarcastically by characters in several films such as Under Eighteen and 20, Years in Sing Sing Less comical was the picture of the United States' future presented in Heroes for Sale that same yearin which a hobo looks into a depressing night and proclaims, "It's the end of America".

In Wild Boys of the Roadthe young man played by Frankie Darrow leads a group of dispossessed juvenile drifters who frequently brawl with the police. The mob mentality displayed in bank runs was portrayed in films like American Madnesswhere Frank Capra depicted "the thin line between investor confidence and panic in Hoover's America.

The studios were in a difficult financial position even before the market crash as the sound conversion process and some risky purchases of theater chains had pushed their finances near the breaking point. Even so, 60 million Americans went to the cinema weekly. Early sound films were often noted for being too verbose.The Great Gatsby And The Love Song For J.

Alfred Prufrock - “The Great Gatsby” and “The Love Song for J. Alfred Prufrock” are two pieces of writing written in the ’s. The Roaring Twenties?

The roaring twenties essay conclusion

Home; Women in the "Roaring Twenties" Bootleggers in the "Roaring Twenties" Conclusion. So did the 's really roar? Maybe it did and maybe it did not.

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It is all in the way we look at it. If it were not for all of the events in the s, Canada would not have been what it is today. We, as a nation have learned from.

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The Roaring Twenties The s. It was the Jazz Age, the Era of Wonderful Nonsense, the Age of Babbitts, Bootlegging, and Bathtub Gin.

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It was the Jazz Age, the Era of Wonderful Nonsense, the Age of Babbitts, Bootlegging, and Bathtub Gin/5(1). BibMe Free Bibliography & Citation Maker - MLA, APA, Chicago, Harvard.

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